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Among those trying to "get Carter" is Con (John C. McGinley), another enforcer from Las Vegas.GET CARTER is the second remake of the bleak and gritty 1971 British thriller of the same title. [97], Steve Chibnall writes that "America was rather more used to hard-boiled storytelling" and that reviewers there were "more prepared than British criticism to treat Get Carter as a serious work",[98] Pauline Kael admiring its "calculated soullessness"[99] and wondering if it signalled a "new genre of virtuoso viciousness". The Times Digital Archive. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element.[4]. 5 of 9 people found this review helpful. Jack drives Margaret to the grounds of Kinnear's estate, kills her with a fatal injection and leaves her body there. [42] Hodges described how wandering alone through the upper structure, he realised how the different levels could be used to reveal the hunter, Carter, and the hunted, Brumby, simultaneously but without either being aware of the other – adding to the suspense. Based on Ted Lewis' 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his home town in north-east England to discover more about his brother Frank's supposedly accidental death. [47] Michael Klinger and the MGM publicity spokesman dismissed the use of the location as mere coincidence; however, Hodges was aware of the significance of the house and chose it deliberately. [115] Mike Hodges said in 2003 he had still not seen the remake, but was informed by a friend that it was "unspeakable". BB Davis & the Red Orchidstra released a version of the film's title theme in 1999. As well as Telly Savalas, names posited by Klinger and studio executives were Joan Collins, and someone Hodges described as "the Canadian lead actress in TV's Peyton Place", which most probably means Barbara Parkins. The music playing in the nightclub scene is an uptempo cover of the 1969 Willie Mitchell tune "30-60-90"[70] performed live by the Jack Hawkins Showband, which was the resident band at the Oxford Galleries night club. Chibnall says "There was no advertising to suggest a significant event had occurred. Available on. He is rescued by Glenda who takes him in her sports car to meet Brumby at his new restaurant development at the top of a multi-storey car park. [55] At the advice of Richard Lester, Hodges and his assistant director stayed at a separate hotel to the rest of the cast and crew, which enabled him to have some respite from the production after the shooting day was done. In 2000 it was remade with Sylvester Stallone and included Caine. [78] In the process of redubbing the opening, the version of the film with the original dialogue was lost. Richard Weaver in Films and Filming praised the realism of the film, describing it as "crime at its most blatant",[93][96] while George Melly writing in The Observer confessed to vicarious enjoyment of it, but admitted it was "like a bottle of neat gin swallowed before breakfast. [54] In the first week of shooting in Newcastle, the ACTT called the crew out on a one-day strike. [38] He also dispensed with flashbacks to Carter's youth featured in the novel which explored his relationship with his brother Frank, streamlining the plot to a linear narrative spanning a single weekend. Michael Caine co-stars in this film as a … I view it as a mediocre movie, one that relies on a formulaic storyline, and poor performances from those involved. Hodges and cinematographer Wolfgang Suschitzky drew heavily on their backgrounds in documentary films, combined with Hodges' research into the contemporary criminal underworld of Newcastle (in particular the one-armed bandit murder) and the use of hundreds of local bystanders as extras, resulting in a naturalistic feel in many scenes. The remake of Get Carter is really a mixed bag. A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far-reaching plans. [48] The Landa case also is referenced at the start of the film with a shot of a newspaper bearing the headline "Gaming Wars". Get Carter director Mike Hodges on meeting Caine, Ali and Kubrick", "Get Carter: 40th Anniversary 112 minutes that revolutionised the gangster film", "The crime-genre game-changer Get Carter turns 40. Someone breaks into Richie's home, looking for a crucial CD. Kinnear agrees, sending Eric to an agreed location; however, he subsequently phones a hitman to dispose of Jack. Brumby showed Frank the film to incite him to call the police on Kinnear. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Initial UK critical reception to the film was mixed; reviewers grudgingly appreciated the film's technical achievements but were dismayed by the complex plot, violence and amorality, in particular Carter's apparent lack of remorse at his actions. Directed by Stephen Kay. When the film credits were printed in the Radio Times and TV Times, Howard was also trimmed. Action & adventure. Judith Crist in New York magazine gave a glowing review, saying "Michael Caine is superb, suave and sexy" and describing the film as "a hard, mean and satisfying zinger of the old tough-tec school done in frank contemporary terms". [103] Variety also praised the film, saying it "not only maintains interest but conveys with rare artistry, restraint and clarity the many brutal, sordid and gamy plot turns". [7], Mike Hodges recruited a band of experienced character actors to play the small supporting roles. The film's music also enjoyed its own resurgence in popularity, as it tapped into a 1990s interest in vintage film soundtracks. Sound editing and dubbing was done by Jim Atkinson, whom Hodges described as "so obsessive about the job". [76] However, movie poster expert Sim Branaghan liked its eccentricity, calling it was "that kind of quirkiness you wouldn't get these days". Get Carter was remade in 2000 by Warner Bros. under the same title, with Sylvester Stallone starring as Jack Carter, while Caine appears in a supporting role. There are four simultaneous conversations, with a lot of plot exposition and the introduction of two important characters, Kinnear and Glenda. Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. The technical complexity was compounded by the variation in light coming through the windows, and Osborne's whispered delivery[48] which made microphone placement difficult. [30] MGM agreed a reasonable but below-average budget of 750,000 (there is some dispute as to whether this figure refers to dollars or pounds)[2] for the production. Kevin Brennan appears as Harry the card-player. On IMDb Get Carter's average rating is 7.6 based on 12,329 user votes. A lead detective being stalked by a serial killer is asked to check into a clinic treating law enforcement officials who can't face their jobs. Times [London, England] 30 Dec. 1971: 2. Directed by Mike Hodges. His son brought him a DVD of the film back from Hong Kong and he tried to watch it, but the region format was incompatible "so we put it in the dustbin". But that's not the movie. (I think there is just about two or three movies about Jesus, and nobody cares about the remakes). It's intoxicating all right, but it'll do you no good". Brumby identifies Kinnear as being behind Frank's death, also explaining that Kinnear is trying to take over his business. Asked in 2006, Putzu could not remember his artistic rationale for painting the floral jacket, but said he was painting a lot of flowers in designs at that time. [126], This article is about the 1971 film. As Jack leaves, Eric warns him against damaging relations between Kinnear and the Fletchers. In the early 2000s, £10 million was spent removing these conveyors and the concrete towers, and cleaning tons of coal waste from the beaches of East Durham. Carter Season 2 Stepping through life in an optimistic mood, Harley Carter built a successful career in Hollywood. Written by Extras included three trailers; the international trailer, an introduction by Michael Caine to the people of Newcastle, and a third featuring Roy Budd playing the opening theme.This format was also used in a VHS set released by Warner Brothers, copyrighted 2001, which included Bullit and Shaft. Miranda Richardson, Rachel Leigh Cook, Mickey Rourke and Michael Caine (who starred in the original … Hodges promised he would make it up to him and cast him in Carter, but his name was missed off some of the original prints. [41], Locations along the east coast of England had been scouted by Hodges and Klinger in the spring of 1970, to find a landscape that suggested a "hard, deprived background". It out-performed Up Pompeii, which was showing in the larger ABC1. [35], Klinger contacted Hodges on 27 January 1970 with a copy of Jack's Return Home and contracted him[36] to direct and adapt the screenplay, paying him a flat fee of £7,000 for his services. Use the HTML below. Jack is sleeping with Gerald's girlfriend Anna (Britt Ekland) and plans to escape with her to South America, but he must first return to Newcastle and Gateshead to attend the funeral of his brother, Frank, who died in a purported drunk-driving accident. Get Carter (2000) 2000 102 minutes. The theme (otherwise known as "Carter Takes a Train"), the best-known piece from the film, was played by Budd and the other members of his jazz trio, Jeff Clyne (double bass) and Chris Karan (percussion), and was recorded on a budget of £450. [58] Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the focus puller ruined his first take. [95] [75] Chibnall describes the flower power imagery as "what seems like a desperate and misguided attempt to suggest the hipness of a genre which had largely fallen out of favour". As with Hit Man, the film credited Ted Lewis' Jack's Return Home as its source, not Hodges' film, and again it contains scenes which are directly borrowed from the original, such as the opening train ride. This lab processed Kodak's Eastman Color Negative, so it is most likely the film was shot on this stock. Get Carter (2000) Rent $2.99. Talking to the widow, daughter Doreen, and enigmatic Geraldine, Jack suspects it was murder. As he goes to throw his shotgun into the sea, he is shot in the head from a distance. The story is based upon the original where Carter (Stallone) who is an enforcer for a gangster returns home to his brother’s funeral. As Eric and Con escape, they push the sports car into the river unaware that Glenda is in the boot. Get Carter By Owen Gleiberman Updated October 06, 2000 at 04:00 AM EDT [2][35] One of the first locations which attracted Hodge's attention was the Trinity Square multi-storey car park, which dominated the centre of Gateshead. Chibnall writes that "Interestingly, although [the film's] downbeat and unsentimental tone is now thought to express the mood of its times, the mass cinema audience preferred Love Story (Arthur Hiller 1970), which remained the most popular film in Britain throughout Get Carter's run". Based on Ted Lewis' 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his home town in north-east Englandto discover more about his brother Frank's supposedly accidental death. He waited hours until the sun began setting to capture the overcast shadowy lighting seen in the film. Having avenged his dead brother and the sexually abused Doreen, Jack walks along the shoreline. [2] The production also utilised a large number of extras, most of whom were locals who just happened to be on scene when filming was happening. Get Carter Year 2000 Genre Crime Action Drama Thriller Type Movies IDMB rating 5.2 (32207 votes) Netflix rating 5.2 Metacritics rating 24.0 Rotten Tomatoes rating 11.0% Directors Stephen Kay Actors Sylvester Stallone, Rachael Leigh Cook, Alan Cumming, Miranda Richardson, Michael Caine, John C. McGinley, Mickey Rourke, Rhona Mitra View production, box office, & company info. Hodges said that he and Trumper argued and disagreed constantly, but he still thought he was a "brilliant, brilliant editor" and was "very grateful to him for ...how much he contributed". [29] The project went from concept to finished film in just 10 months. [122][123] The behind-the-scenes featurettes accompanying the DVDs of Life on Mars repeatedly cite Get Carter. On its opening week at ABC2 cinema at Shaftesbury Avenue, London, it broke the house record, taking £8,188. Hodges said in 2002 "Carl and credits don't seem destined for each other". One hero tries to help the people inside find their way to safety. The musicians recorded the soundtrack live, direct to picture, playing along with the film. Andrew Spicer has written that "he [Klinger] sensed its potential to imbue the British crime thriller with the realism and violence of its American counterparts". View the profiles of people named Get Carter. On its general release in the North of England, Chibnall notes it had a "very strong first week", before an unseasonal heatwave damaged cinema attendance. [30] The Pelaw Hussars, a local juvenile jazz band and majorette troupe, also appear and perform two numbers, When The Saints Go Marching In and Auld Lang Syne. ‎Watch trailers, read customer and critic reviews, and buy Get Carter (1971) directed by Mike Hodges for $9.99. Jack chases Eric along a beach. Steven Soderbergh's 1999 film The Limey is a homage to Carter and other British gangster films, and contains similar plot elements and themes of revenge, family and corruption. But when evidence of foul play surfaces, Carter's mission becomes one of retribution rather than redemption. Get Carter was financed by Franchise Pictures and the German based Intertainment. Oscar and Golden Globe-nominated superstar Sylvester Stallone ("Cliffhanger," the "Rocky" franchise) stars as a vengeful mobster who scours the underworld to avenge the murder of his brother. To Hodges, the car park and the cast iron bridges over the Tyne, "seemed to capture the nature of Jack Carter himself". [6] Get Carter was remade in 2000 by Warner Bros. under the same title, with Sylvester Stallone portraying Jack Carter and Caine in a supporting role. He suggested Hodges use John Trumper as editor. The theme was released as a 7" vinyl single by Pye Records in 1971, titled simply Carter and backed with "Plaything", another piece composed for the soundtrack. The soundtrack was presented in 1.0 mono Dolby Digital[87], The film was bundled in the 2008 "Movies That Matter – 70's Classics" DVD set with Deliverance and Dog Day Afternoon. Godfrey Quigley was cast as Eddie, a colleague of Frank Carter's. Several of the company's actors were also in background shots in the film including the casino, streets, bars and the police raid scene. Details. [116][117] The consensus opinion of critics on Rotten Tomatoes was that it was "a remake that doesn't approach the standard of the original, Get Carter will likely leave viewers confused and unsatisfied. At this time Klinger's friend Robert Littman had been appointed head of MGM Europe and so Klinger took his proposal to him. Mike Hodges' 1971 British gangster thriller is, even today, a triumph of hard boiled crime cinema and perhaps one of the greatest British films of all time. The Finnish rock band Laika & the Cosmonauts cover the film's theme on their 1995 album The Amazing Colossal Band. [1] Despite this, the film turned a respectable profit in the UK. The cleaning programme was known as 'Turning the Tide'. The significance of the double-barrelled shotgun as Carter's choice of weapon (which in the novel symbolises family ties and Carter's memories of more innocent times hunting with his brother) was lost in the film adaptation. [71] A version of the band's rendition was available on a live LP by Jack Hawkins, which was released under two titles, Psychedelic '70s and later as Everything Is Beautiful,[72] The pub singer, played by Denea Wilde, performs a cover of How About You? In the original, directed by Mike Hodges (CROUPIER), Michael Caine was Carter. [102] Of Caine's performance he wrote, "The character created by Caine is particularly interesting. He found Carter's motivations were inconsistent, either being an avenging angel or an "authentic post-permissive anti-hero, revelling in the casual sadism". Apparently there was a Get Carter appreciation club that was trying to get a preservation order put on the car park in Gateshead and Quentin Tarantino was in it. White had a successful career as a television actress and was particularly well known for, This page was last edited on 17 January 2021, at 07:48. Description. The sniper rifle is wielded by Kinnear's hitman (only identified as "J" but who we have already seen as a fellow passenger when Carter takes the train up to Newcastle) who then carefully wraps his equipment before calmly walking away with it in his bag. With Michael Caine, Ian Hendry, Britt Ekland, John Osborne. "Richard Burton top draw in British cinemas". The film was released in the United States on October 6, 2000. [104] However, Jay Cocks writing in Time was disparaging, calling the film "a doggedly nasty piece of business" and comparing it unfavourably to Point Blank. [121] Shane Meadows' film Dead Man's Shoes has also drawn comparisons to Get Carter, being similarly a revenge gangster story set around a provincial English town. The poster also places Carter's shotgun in Eric's hands, and features a grappling man and woman who seem to belong to a different film. Get Carter was an iconic 1970s film with Michael Caine that was known for bringing realism to the crime genre. Soderbergh said he envisioned The Limey as "Get Carter made by Alain Resnais". [118] It was so badly received on its US release that Warner Bros. decided not to give it a UK theatrical release, anticipating the film would be savaged by British critics and fans. Many believed the crime was part of a failed attempt by the Kray twins to gain control of the Newcastle underworld. [81], The film did not encounter many censorship problems, although the scene where Carter knifes Albert Swift caused concern for the censor John Trevelyan. [30] Hodges had also previously worked on current affairs programme World in Action, the arts programme Tempo and a 1968 children's television serial, The Tyrant King, and all these past experiences informed his approach to his film debut. Hawkins' name can be seen on the poster outside the club before Thorpe runs inside, and the band can faintly be seen on stage as Thorpe enters the club. A young hot shot driver is in the middle of a championship season and is coming apart at the seams. Watch Get Carter 2000 in full HD online, free Get Carter streaming with English subtitle Visiting Brumby's house Jack discovers the man knows nothing about him and, believing he has been set up, he leaves. It was simply a part of the long process of exploiting MGM's back catalogue in the run-up to Christmas". Klinger was present on set for much of the film shoot. Carter is depicted wearing a gaudy floral jacket, as opposed to the dark raincoat and mohair suit he wears in the film. [37] Hodges' original working title for the film was Carter's The Name. [91] Geoff Mayer observed that "Mainstream critics at the time were dismayed by the film's complex plotting and Carter's lack of remorse". He then calls the police to raid Kinnear's party. Overcome with emotion, Jack becomes enraged and pushes Glenda's head under water as she is taking a bath. [92] In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film of all time. Get Carter movie reviews & Metacritic score: Hit man Jack Carter (Stallone), a mob enforcer in New York, returns to his hometown of Los Angeles for his brother's funeral. Get a sneak peek of the new version of this page. [114], Warner Bros., which holds the rights to the pre-1986 MGM library, produced a remake of Get Carter in 2000 under the same title, with Sylvester Stallone as Jack Carter. [7] Newcastle was selected after Hodge's first choice of Hull proved to be unsuitable. [106], On Rotten Tomatoes, the film has an approval rating of 84% based on 32 reviews. Get Carter is the 2000 remake of the 1971 Michael Caine crime film of the same name. [50][51], Principal photography took place in the north east between 17 July and 15 September 1970. The majority of the music in the film was composed by Roy Budd, a jazz pianist and composer, who had previously worked on soundtracks for Soldier Blue and Flight of the Doves. ", "Movie Review Get Carter (2000) FILM REVIEW; Slimline Stallone, With a Bruising Touch and a Gentle Mutter", "Dead Man's Shoes at the Venice International Film Festival", https://en.wikipedia.org/w/index.php?title=Get_Carter&oldid=1000898949, Short description is different from Wikidata, Articles with unsourced statements from May 2012, Wikipedia articles with WorldCat-LCCN identifiers, Creative Commons Attribution-ShareAlike License, Dorothy White as Margaret. Original copies of the record are much sought after by collectors and sell for around £100. 11 July 2012. Returning to the car park Jack finds Brumby, beats him senseless and throws him over the side to his death. A former CART champion is called in to give him guidance. Eric and two of his men arranged Frank's death. Mike Hodges explained that Howard was an extra in his TV film Rumour, and the director gave him a line to say, but another extra was wrongly credited. [36] He did not, however, employ a traditional noir technique of using a voiceover to expose the character's inner feelings. Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets. Hodges said he was influenced in his writing by the works of Raymond Chandler and Hollywood B-movies such as Kiss Me Deadly, because they showed "how to use the crime story as an autopsy on society's ills". Principal photography took place in and around Newcastle upon Tyne, Gateshead and County Durham. Get Carter was a film which explored this freedom. [38] Steve Chibnall writes: "his treatment retained the essential structure of Lewis' novel with its strong narrative drive, but introduced some minor changes to characterisation and more fundamental alterations to narratology". [82] In South Africa the censor cut out Britt Ekland's phone sex scene, shortening her already brief role; her name was still left on the poster, leaving filmgoers to wonder why she was advertised as appearing. Wild Hammond and Drum Duo with James Mackie (ex 'Selecter' and 'Madness') on organ and John Elles on drums. [83], A resurgence of critical and public interest in the film in the 1990s led to the British Film Institute releasing a new print of the film in 1999. Rated R for violence, language, some sexuality and drug content, Stephen Dorff & Darren Mann in Mma Film 'Embattled' Official Trailer, Producer-Writer David McKenna Inks With APA, Rachael Leigh Cook on Producing Her Own Netflix Rom-Com, 21 Years After ‘She’s All That’, Favorite Movies that were released in 2000. Get Carter is therefore a much more socially conscious film than any of its modern counterparts. The key to the success of Get Carter is the way in which the movie immediately engages the audience and fosters a relationship with it based upon perception, which, in the first instance, is always the key to the bond between viewer and director. Talking to the widow, daughter Doreen, and enigmatic Geraldine, Jack suspects it was murder. Tom Cox writes that many British film makers "have stolen from Hodges without matching the cold, realistic kick" of Carter. This remake was not well received by critics in the USA and was not given a UK theatrical release. Carter's killing of Brumby[40] and his own assassination were further alterations from the novel, emphasising the film's parallels with revenge tragedy[38] and Carter's role as what Geoff Mayer calls "the moral agent... a "knight" forced to dispense his own sense of justice in a corrupt world". KGF Vissers. However, Hodges said he encountered very little interference by the producer. Budd composed 13 distinct pieces for the film,[63] including three songs: "Looking For Someone", "Love Is A Four Letter Word" (with lyrics by Jack Fishman)[12] and "Hallucinations". Jack's partner Con McCarty is restless, apparently about their boss Les Fletcher, whose wife had an affair with Jack. Teaser posters for the film appeared on the front of buses across London, featuring the tag-line "Caine is Carter".[2]. [8], The most complicated scene to shoot was Kinnear's game of cards. 479 likes. [124][125] Wobble had long been a fan of the bassline of the track, saying in a 2004 interview with The Independent that "There are some bass lines that contain the whole mystery of creation within them". [49] Other locations in Newcastle and Gateshead, Northumberland and County Durham were also used. HoloLens PC Mobile device Xbox 360 Trailer. A Las Vegas mob enforcer travels back to his hometown to investigate his brother's mysterious death. 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