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Fontana created a prolific amount of graphic work with abstract motifs as well as figures, little-known in the art world, at the same time as he was producing his abstract perforated works. [29] Even more popular are Fontana's oval canvases. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. Research International recognized as the most important revolutionary artist of the Postwar period, Lucio Fontana, deeply changed the way to see and to intend the artwork, analyzing the powerful of the third and four dimension and collaborating with the … [15], Fontana engaged in many collaborative projects with the most important architects of the day, in particular with Luciano Baldessari, who shared and supported his research for Spatial Light – Structure in Neon (1951) at the 9th Triennale and, among other things, commissioned him to design the ceiling of the cinema in the Sidercomit Pavilion at the 21st Milan Fair in 1953. Throughout his early years, Fontana split his time between Argentina and Italy, studying at the Accademia di Brera under Adolfo … Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Lucio Fontana (1899-1968) [Concetto spaziale] signed and dated ‘l. View Lucio Fontana’s 6,259 artworks on artnet. [1] He is mostly known as the founder of Spatialism. Then he left his home in Milano and went to Comabbio (in the province of Varese, Italy), his family's mother town, where he died in 1968. "Servant of Two Masters: Lucio Fontana's 1948 Sculptures in Milan's Cinema Arlecchino". [7], In the last years of his career, Fontana became increasingly interested in the staging of his work in the many exhibitions that honored him worldwide, as well as in the idea of purity achieved in his last white canvases. [4] Fontana was subsequently invited by Michel Tapié to exhibit the works at the Martha Jackson Gallery in New York. From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. Among others, major retrospectives have been organized by the Peggy Guggenheim Collection, Venice (2006), Hayward Gallery, London (1999), Fondazione Lucio Fontana (1999), and the Centre Georges Pompidou (1987; traveled to La Fundación 'la Caixa' Barcelona; Stedelijk Museum, Amsterdam; Whitechapel Gallery, London). In the text, which Fontana did not sign but to which he actively contributed, he began to formulate the theories that he was to expand as Spazialismo, or Spatialism, in five manifestos from 1947 to 1952. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). It was there he presented his first exhibition in 1930, organized by the Milan art gallery Il Milione. [9] Another work from that time, Trinità (Trinity) (1966), consists of three large white canvases punctuated by lines of holes, embraced in a theatrical setting made from ultramarine plastic sheets vaguely resembling wings. [24], Fontana's works can be found in the permanent collections of more than one hundred museums around the world. Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. (60 x 100 cm.) [4], In 1927 Fontana returned to Italy and studied alongside Fausto Melotti under the sculptor Adolfo Wildt,[5] at Accademia di Brera from 1928 to 1930. In 2014, the Musée d'Art Moderne de la Ville de Paris dedicates a retrospective to the artist. Recognised as the founder of Spatialism, Lucio Fontana was a prolific artist who was driven by a desire to highlight and explore the relationship between surface and dimensionality.Fontana’s techniques included slicing through canvas and punching holes in the surface of his work – Spatial Concept is a series of works that exemplify this particular technique and Fontana would … One of those artists is the legendary Lucio Fontana. [22] He participated in the Bienal de São Paulo and in numerous exhibitions around the world. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé. [23] The first major American retrospective since the artist's death came in 2019 at the Met Breuer. Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. [9], Fontana often lined the reverse of his canvases with black gauze so that the darkness would shimmer behind the open cuts and create a mysterious sense of illusion and depth. [2][3] Fontana spent the first years of his life in Argentina and then was sent to Italy in 1905, where he stayed until 1922, working as a sculptor with his father, and then on his own. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Born to Italian parents in Rosario de Santa Fé, Argentina, in 1899, Lucio Fontana began his artistic career as a sculptor, working under his father Luigi before setting out on his own. Concept Spatiale Lucio Fontana • 1960. His groundbreaking slashed paintings, called Cuts (Tagli) embodied Spatialism, Fontana’s art movement that was meant to create a new kind of art synthesizing color, sound, space, and movement.Before his Spatialist manifestos and slashed paintings, Fontana was a … By ripping through his canvases, Lucio Fontana changed what a painting could be, and the course of art history. What is Spatialism? Fontana formulated the theory of Spatialism in a series of manifestos dating from the late 1940s to early 1950s, proposing that matter should be infiltrated by energy in order to generate dimensional, dynamic artistic forms. The main ideas of the movement were anticipated in his Manifiesto blanco (White Manifesto) published in Buenos Airesin 1946. by Nora Griffin. “Spatial Explorations: Lucio Fontana and the Avant-Garde in Milan in the 50s and 60s," co-hosted by Italy’s largest bank Intesa Sanpaolo, runs parallel to … View Lucio Fontana’s 6,280 artworks on artnet. [25] Fontana's jewelry is included in the permanent collection of the Museum of Fine Arts, Boston. Gareth Harris (November 14, 2013), "Catalogue of Lucio Fontana’s drawings in the works", Anny Shaw, (February 12, 2015), "London's second week of auctions are strong, but more post-war than contemporary", Lucio Fontana: Ambienti Spaziali, May 3 - June 30, 2012, Honoring Two Cities With Slashes, Piercings and Punctures, Declaring Space: Mark Rothko, Barnett Newman, Lucio Fontana, Yves Klein, September 30, 2007 - January 6, 2008, lucio fontana, April 8, 2004 - June 27, 2004, The crimson and the white - Lucio Fontana and the blade that took him to space, Paris exhibition tests strength of art market, https://en.wikipedia.org/w/index.php?title=Lucio_Fontana&oldid=998345033, CS1 maint: bot: original URL status unknown, Pages using infobox artist with unknown parameters, Articles with unsourced statements from May 2020, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 January 2021, at 23:37. Fontana 1954’ (lower right) steel 23 3/8 x 39 3/8in. [28] Fontana's Concetto Spaziale, Attese (1965), from the collection of Anna-Stina Malmborg Hoglund and Gunnar Hoglund set a new record for a slash painting at £8.4 million at Sotheby's London in 2015. As a consequence of his first visit to New York in 1961, he created a series of metal works, done between 1961 and 1965. His first solo exhibition at an American museum was held at the Walker Art Center, Minneapolis, in 1966. I quanta Lucio Fontana • 1960. The exhibition project Lucio Fontana | Enrico Baj | Piero Manzoni, curated by Gaspare Luigi Marcone, gathers three undisputed masters of Post-War Italian art.The presentation is a homage to 1958, an important year in which the differing research of all three artists was displayed and published together.In 1958, two exhibitions were presented in Italy under the title Fontana Baj … One of the art movements peculiar for always having influenced artists more so than art historians happens to be Spatialism. During the following decade he journeyed in Italy and France, working with abstract and expressionist painters. May 3 to June 30, 2012 555 West 24 Street New York City, 212-741-1111. Lucio Fontana was an Argentine-Italian painter, sculptor and theorist. He exhibited his first installation in 1948, the same year he began his infamous ‘slashed canvases’. Executed in 1954 ... A gleaming icon of early Spatialism, this work was executed in 1954, a period of intense experimentation in Fontana… [8], Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera ('Spatial environment') (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. Lucio Fontana was an influential Argentine-Italian artist and theorist, best known for being the father of Spazialismo (also known as Spatialism). Lucio Fontana was a founder of the Italian movement of Spatialism, which can be considered a unique exponent of the European Informel painting and an Italian answer to the American Abstract Expressionism.He wrote the manifesto of the movement in 1946 when in Argentina, and a year later he produced another one in Milan together with a few fellow artists … [citation needed] [31], In Nov 2015, Christie's set an auction record for the artists work Concetto spaziale, La fine di Dio, 1964, sold for a $29million [32], "Press Release: Lucio Fontana: Venice/New York opens at Guggenheim Museum". [17] The works consisted of large sheets of shiny and scratched copper, pierced and gouged, cut through by dramatic vertical gestures that recall the force of New York construction and the metal and glass of the buildings. Throughout his prolific career, Lucio Fontana demonstrated a relentless interest in the relationship between surface and dimensionality. The movement focused on the spatial qualities of sculpture and paintings with the goal of breaking through the two-dimensionality of the traditional picture plane. Find a list of greatest artworks associated with Spatialism at Wikiart.org ... Concept Spatiale Lucio Fontana • 1959-1960. [16], Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with layers of thick oil paint applied by hand and brush and using a scalpel or Stanley knife to create great fissures in their surface. In 2013, Luca Massimo Barbero, Nina Ardemagni Laurini and Silvia Ardemagni published a three-volume catalogue raisonné of Fontana's works on paper, including more than 5,500 works in chronological order. [30] Part of Fontana's Venice circle, Festival on the Grand Canal was sold at Christie's in New York for $7 million in 2008. In 1947 Fontana created a "Black Spatial Environment", a room painted black, which was considered to have foreshadowed Environment art. [11][12] In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. Although Fontana's ideas were vague, his outlook was influential, for he was one of the first, certainly the first European artist to truly promote the idea of art as gesture or performance, rather than as the creation of an enduring physical work. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto, where it is stated that "Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art". View Lucio Fontana’s 6,280 artworks on artnet. [7] Since 1930 Fontana's work had been exhibited regularly at the Venice Biennale, and he represented Argentina various times; he was awarded the Grand Prize for Painting at the Venice Biennale of 1966. He was mostly known as the founder of Spatialism . Lucio Fontana (1899–1968) was an Italian sculptor, painter, and ceramicist, regarded as the father of Spatialism, a midcentury modern movement that linked artistic experimentation with scientific principles and theories. These can be divided into broad categories: the Buchi ('holes), beginning in 1949, and the Tagli ('slashes'), which he instituted in the mid-1950s. Fontana had his first solo exhibitions at Galleria del Milione, Milan, in 1931. His stabbed and slashed canvases (beginning in 1949 and 1959 respectively) are also considered to embody Spatialism. It repudiated the illusory or "virtual" space of traditional easel painting and sought to unite art and science to project colour and form into real space by the use of up-to-date techniques such as neon lighting and television. [6] Upon his return from Argentina in 1947, he supported, along with writers and philosophers, the first manifesto of spatialism (Spazialismo)**. Known as a founder of Spatialism and for his ties to Arte Povera, Fontana remains one of the monumental figures in the time of great artists. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. Spatial Concept, New York 10, 1962 by Lucio Fontana © Fondazione Lucio Fontana Milano After founding the Manifesto Blanco in 1946, Fontana began to further push the limits of contemporary art. Mr Fontana founded Spatialism (or Spazialismo in Italian) in Milan in 1947. How did Lucio Fontana lay the foundations for Spatialism? [14] In 1959 Fontana exhibited cut-off paintings with multiple combinable elements (he named the sets quanta), and began Nature, a series of sculptures made by cutting a gash across a sphere of terracotta clay, which he subsequently cast in bronze. With some sweeping generalisations, the movement is a one-man show by the Argentinian-born Italian artist Lucio Fontana (1889-1968). In it he spoke of a new "spatial" art in keeping with the spirit of the post-war age. He is mostly known as the founder of … Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). In particular, examples from the Pietre series are housed in the Stedelijk Museum, Amsterdam, the Centre Pompidou, Paris, the Museum of Modern Art in New York, the Galleria Nazionale d'Arte Moderna in Rome, the Museum of Contemporary Art Villa Croce in Genoa and the van Abbemuseum, Eindhoven. Fontana had found his studio and works completely destroyed in the Allied bombings of Milan,[7] but soon resumed his ceramics works in Albisola. He devised the generic title Concetto spaziale ('spatial concept') for these works and used it for almost all his later paintings. In 1961, following an invitation to participate along with artists Jean Dubuffet, Mark Rothko, Sam Francis, and others in an exhibition of contemporary painting entitled "Art and Contemplation", held at Palazzo Grassi in Venice, he created a series of 22 works dedicated to the lagoon city. [27], A rare, large crimson work with a single slash, which Fontana dedicated to his wife and which has always been known as the Teresita, fetched £6.7 million ($11.6 million) at Christie's London in 2008, then an auction record for the artist. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. [4], In 1940 he returned to Argentina. Spatialism (Italian: Spazialismo) is an art movement founded by Italian artist Lucio Fontana[1] in Milan in 1947 in which he grandiosely intended to synthesize colour, sound, space, movement, and time into a new type of art. In each work, Fontana invents new methods to apply concepts of spatialism, freeing himself from the confines of the object in order to continue his search for modern modes of expression and perception. Lucio Fontana, Concetto spaziale, Attese, 1959. Five more manifestos followed; they were more specific in their negative than their positive aspects, and carried the concept of Spatialism little further than the statement that its essence consisted in "plastic emotions and emotions of colour projected upon space". Lucio Fontana Biography. Spatialism in Action: Lucio Fontana at Gagosian Gallery. Iron Alberto Burri • 1960. “I am a sculptor, not a ceramicist,” Lucio Fontana declared (more than once) in his writings. He is mostly known as the founder of Spatialism. Son of the Italian sculptor Luigi Fontana (1865 – 1946) and of an Argentine mother, he began his artistic activity in 1921 working in the sculpture workshop of his father and colleague and friend of his father Giovanni Scarabelli. His trademark perforated canvases drew both the ire and admiration of … It repudiated the illusory or "virtual" space of tradition… The movement (Movimento Spaziale – spacialist movement, or spacialism) was launched in 1947 after Lucio Fontana ’s return to Italy from Argentina … "[3], https://en.wikipedia.org/w/index.php?title=Spatialism&oldid=872588677, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 December 2018, at 22:46. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. [20] He was also the sculptor of the bust of Ovidio Lagos, founder of the La Capital newspaper, in Carrara marble. See available paintings, sculpture, and works on paper for sale and learn about the artist. Lucia Fontana came into this world on February 19, 1899, born in Rosario Santa Fé, Argentina. Early Life. In 1935 he joined the association Abstraction-Création in Paris and from 1936 to 1949 made expressionist sculptures in ceramic and bronze. [13] At Documenta IV in Kassel in 1968, he positioned a large, plaster slash as the centre of a totally white labyrinth, including ceiling and floor (Ambiente spaziale bianco).[18][19]. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Lucio Fontana (19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. [21] In 1961, Michel Tapié organized his first show in the U.S., an exhibition of the Venice series, at the Martha Jackson Gallery, New York. Shortly before his death he was present at the "Destruction Art, Destroy to Create" demonstration at the Finch College Museum of New York. Art movement that originated from Italy in the year 1947 when Lucio Fontana founded it with an intention to synthesize sound, color, movement and … In 1939, he joined the Corrente, a Milan group of expressionist artists. Lucio Fontana. [1] He is mostly known as the founder of Spatialism. Lucio Fontana: Ambienti Spaziali at Gagosian Gallery. Lucio Fontana is a revered theorist, painter, and sculptor from the 1960s who is best remembered for founding spatialism, an art movement that made its mark in the art industry. MAGNET I Lucio Fontana (1899–1968) was an Italian sculptor, painter, and ceramicist, regarded as the father of Spatialism, a midcentury modern movement that linked artistic experimentation with scientific principles and theories. In it he spoke of a new "spatial" art in keeping with the spirit of the post-war age. Spatialism (Italian: Spazialismo) is an art movement founded by Italian artist Lucio Fontana in Milan in 1947 in which he grandiosely intended to synthesize colour, sound, space, movement, and time into a new type of art. [10] He then created an elaborate neon ceiling called "Luce spaziale" in 1951 for the Triennale in Milan. Presentation With a selection of thirty works, on March 5, 1977 Galleria dello Scudo opens an exhibition dedicated to Lucio Fontana, founder of Spatialism, the avant-garde movement that contributed to the renewal of art not only in Italy in the second half of the 20th century. Debuting in Milan, Fontana settled in Paris in the mid-1930s, where he joined the Abstract [13] From 1958 he purified his paintings by creating matte, monochrome surfaces, thus focusing the viewer's attention on the slices that rend the skin of the canvas. He is mostly known as the founder of Spatialism. Beginning 13 February, ‘Lucio Fontana. In his Buchi (holes) cycle, begun in 1949–50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. Born in Rosario, province of Santa Fe, Argentina to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865 — 1946). His contributions [4], Among Fontana's last works are a series of Teatrini (‘little theatres’), in which he returned to an essentially flat idiom by using backcloths enclosed within wings resembling a frame; the reference to theatre emphasizes the act of looking, while in the foreground a series of irregular spheres or oscillating, wavy silhouettes creates a lively shadow play. See available paintings, sculpture, and works on paper for sale and learn about the artist. One of them that can be attributed as the herald of change is the Italian artist Lucio Fontana whose work foreshadowed Environment art and performance art that are omnipresent in contemporary surroundings. Lucio Fontana was an Argentine-Italian painter, sculptor and theorist. Lucio Fontana was an Argentine-Italian artist known as the founder of Spatialism. The main ideas of the movement were anticipated in his Manifiesto blanco (White Manifesto) published in Buenos Aires in 1946. Though the Argentine-Italian founder of Spatialism is most … -lucio fontana A single, clean slash sweeps defiantly through the flaming red surface of Lucio Fontana’s Concetto spaziale, Attesa. He is mostly known as the founder of Spatialism. [26], Italian scholar Enrico Crispolti edited a two-volume catalogue raisonné of Fontana's paintings, sculptures and environments in 2006. An example of the slashed type (the slash made with a razor blade) is Spatial Concept Waiting (1960, Tate, London). At the start of 1968, Lucio Fontana left his studio in Corso Monforte, in Milan, and moved to Comabbio (near Varese). Sotheby's sold a work titled Concetto spaziale, la fine di dio (1963) for £10.32 million in 2008. Sharon Hecker. The project was heavily influenced by Fontana's work. In 2005, the Franco-German artist couple Cécile Colle and Ralf Nuhn[2] produced a series of canvases with computer connectors inserted into them, entitled "Cyber-Spatialism." Executed in 1967, a decade after Fontana first made this radical artistic breakthrough and inaugurated the series of tagli for which he is best known, this work embodies the dramatic conceptual and formal power of the slash. An Italian sculptor, painter, and theorist who was born in Argentina is best known as the founder of Spatialism and his ties to Arte Povera, a modern art movement introduced in Italy in 1967. References. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. 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